“Sir Simon Rattle is a conductor who wants to infect young people with music like no other, who wants to and can inspire them for music.”īei diesem denkwürdigen Konzert hat man den Eindruck, es herrsche allergrößtes Vertrauen zwischen ihm und den Musikerinnen und Musikern. “Sir Simon Rattle ist ein Dirigent, der wie kaum ein zweiter junge Menschen mit Musik anstecken, für Musik begeistern will und kann.” “a philosophical, transcendental experience that assures you that there is a light even in the darkest Pandemic times.” “philosophischen, transzendentalem Erlebnis wird, das einem versichert, dass es auch in dunkelsten Pademie-Zeiten ein Licht gibt.” “One can hardly imagine anything that equals this beauty.” “Man kann sich kaum etwas vorstellen, was dieser Schönheit gleichkäme.” But it’s the vivid detail Rattle conjures up, the brilliant playing and the force and intensity of the choral singing that give greatest satisfaction.” “Bryan Hymel’s Faust is the most convincing soloist. ‘If a single achievement symbolises the British ‘lead’ in performing Berlioz over the composer’s homeland, it could well be the LSO’s legacy with this score…Definitely recommended’ ‘Sir Simon Rattle realizes Hector Berlioz’s vision in the most extraordinary way. La Damnation de Faust is a stand-alone knock-out.’ The special thrill of Simon Rattle’s virile account of Berlioz’s La Damnation de Faust is that we can go to both places without penalties, while also having the time of our lives.” “Barbican Hall concerts have often transported me to heaven. “It’s a warm, wonderfully detailed performance, superbly sung by all involved, in which Rattle’s admiration for Janáček’s score shines through Cunning Little Vixen was the piece, he’s said, that made him want to conduct opera, and that affection certainly comes across.” “With pinpoint playing from the LSO and close, detailed recorded sound, this is a Vixen with sharp teeth as well as sharp ears… The sense of dramatic vividness is conveyed superbly by the cast, led by Lucy Crowe’s impulsive Vixen, brimming with joie de vivre and mischief and singing with airy ease…The generous coupling is every bit as compelling: a taut account of the Sinfonietta that bristles with nervous energy and exultant joy… All in all, an outstanding release, and a rewarding celebration of this wonderful composer’s art.” Schoolmaster, Cock, Mosquito: Peter Hoareįorester’s Wife, Owl, Woodpecker: Paulina Malefane
0 kommentar(er)
